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Showing posts with label author interview. Show all posts
Showing posts with label author interview. Show all posts

Friday, November 23, 2012

Feature Me Friday (06) Author Tammara Webber!


Happy Friday, Aussies! And Happy Thanks Giving to all you still enjoying Thursday on the other side of the world.

Today's Feature Me Friday is super-successful contemporary Young Adult and New Adult author Tammara Webber!

I read her first novel, Between the Lines which happens to be the first ever ebook I read, and I loved it. I have its two sequels and her stand alone, Easy, awaiting my eyeballs as well. Can't wait.

But with no further ado, I give you Tammara Webber!




Name: Tammara Webber

Latest Release: EASY

Genre: Contemporary Romance (Category: New Adult)

 

Book Blurb: 

 A girl who believes trust can be misplaced, promises are made to be broken, and loyalty is an illusion. A boy who believes truth is relative, lies can mask unbearable pain, and guilt is eternal. Will what they find in each other validate their conclusions, or disprove them all?

When Jacqueline follows her longtime boyfriend to the college of his choice, the last thing she expects is a breakup two months into sophomore year. After two weeks in shock, she wakes up to her new reality: she's single, attending a state university instead of a music conservatory, ignored by her former circle of friends, and failing a class for the first time in her life.

Leaving a party alone, Jacqueline is assaulted by her ex's frat brother. Rescued by a stranger who seems to be in the right place at the right time, she wants nothing more than to forget the attack and that night--but her savior, Lucas, sits on the back row of her econ class, sketching in a notebook and staring at her. Her friends nominate him to be the perfect rebound.

When her attacker turns stalker, Jacqueline has a choice: crumple in defeat or learn to fight back. Lucas remains protective, but he's hiding secrets of his own. Suddenly appearances are everything, and knowing who to trust is anything but easy.

The Interview


If you could have been told one thing that you weren't told when you were a teenager, what would you like to have heard? 

I would have liked someone to tell me to stop being so fearful of making a mistake that it kept me from taking chances. True mistakes are things you know are mistakes ahead of time. Everything else is a learning opportunity. You have to go out and live your life to learn who you are, what you want, and what you need. Life is best lived unafraid.

What's your pet peeve?  

Negative people. I believe in the idea of promoting what I like and ignoring what I don’t. Nothing is gained by hating something or someone and letting it consume you. It just makes you a negative person, too.

Do you have any writing quirks? 

I need quiet. I can have music playing at a low level while brainstorming or writing non-dialogue scenes, but when I’m writing a scene with dialogue, it’s got to be utterly silent. I have to be able to visualize the characters, their body language and physical engagement with each other; I have to “hear” what they’re saying and how they say it.

Tell us three random facts about yourself.  

(1) The only time I was ever called into the principal’s office was for kissing my boyfriend in the hall. We were blatant breakers of the school’s PDA policy. The vice principal was almost frothing at the mouth as she told me, “Boys don’t respect girls who act like that!” Well, lady, I’m still married to that boy. 
(2) I’m really, really nearsighted. 
(3) I’m extremely shy; the thought of public speaking makes me ill. In school, I took a zero on any project requiring an oral presentation, thereby ruining my average for that grading period. Only one of my teachers ever figured out what I was up to. She made me recite my memorized Shakespearian piece in front of my best friend, my boyfriend, and her only, instead of the whole class. I shook like a leaf regardless and received hugs from all three afterwards. That teacher was a forensics and debate teacher who’d been roped into teaching one sophomore English class. I will always love Ms. Hall.

Describe your book in one sentence.  

A New Adult romance about Jacqueline - who is learning to trust again after she is dumped by one boy and assaulted by another, and Lucas - who helps her recover her self-confidence while hiding the trauma of his own past.

How long does it usually take you to write a book, from the original idea to finishing writing it?

That varies widely from book to book. Not including my shelf novels, the shortest was four months from idea to done (Where You Are), and the longest was thirteen years (Easy). Once I began writing Easy, however, it took about six months; it was one of those books that simmers in the back of your mind, and you’re sure you’ll never write it at all, and then one day there it is, demanding to be written. Between the Lines and Good For You took eighteen months each – but they overlapped with each other and Where You Are. I look at those first three as one giant project – 26 months that produced three books. So I’d say my average is about eight months. 

Advice for writers:

Get a critique partner if you don’t have one. If you have one, get one more. (If you prefer, a circle of writers who trade paragraphs, chapters or manuscripts will do nicely.) What a critique partner is: a working writer – i.e.: a writer either published or striving towards publication. (This has nothing at all to do with whether you’re traditional or indie.) Beta readers are necessary, too, once you’ve got a solid completed manuscript – and those can be any reader you trust to tell you the truth: friends, coworkers, a spouse, sibling, voracious readers of your genre/category. But a critique partner should be a writer, because a good writer knows how to spot a plot hole, a confusing paragraph, an unnecessary character, a boring chapter. And a good critique partner knows how to offer criticism without making you want to give up writing and live in a box. If you’re a novelist, get a critique partner, and prepare to be one.


Tammara Webber is a hopeful romantic who adores novels with happy endings, because there are enough sad endings in real life.

Social Media Links:  
 


 I loved this interview. Thanks for stopping by, Tammara! The paperback of Easy is out NOW in the US but UK folks (which usually includes Aus and NZ) will have to wait until Jan 06, 2012.

If you are a young adult author, publishing professional, book blogger or simply a book lover and would like to be interviewed for your own Feature Me Friday post, contact me at SarahBillingtonBooks AT Gmail DOT com!

Mucho love,

 

Friday, November 9, 2012

Feature Me Friday! (05) Author: Karen Simpson-Nikakis




 Karen Simpson-Nikakis, Fantasy Author




Today on another belated Feature Me Friday (curse you scheduled posts not posting when scheduled!), I have fellow Australian, high fantasy author Karen Simpson-Nikakis! Not only is she a fantasy author but she is the head of the Bachelor of Writing & Publishing, which I just completed! So basically, she knows what she's talking about. Take it away, Karen!

What are you currently working on?

I am presently working on the second book in an angel trilogy. When I’ve finished that, I am writing a stand alone fantasy that has been in my head for two or three years. It will have a male  as the main character, the first time I have attempted this. I love female heroes but for some reason, I know the hero in this narrative is male.  Then I am writing another trilogy. I have pictures pasted on the wall above my desk related to all three projects and the novels’ names. This encourages me to keep going but also helps with the gestation of the stories which are simmering along in the back of my head.  I would love to write full time but I also love a lot of what else I do, including teaching and researching and writing academic papers. I also love being able to pay the bills. My angel books are more lyrical than hot and sexy which means I’m still looking for a publisher. I am interested in what divides the human from the divine and how each group has their own particular struggles.

What genre do you write and what do you like about it?

I write a type of fantasy that is variously called high, quest or epic fantasy. These have fully developed secondary worlds and are pre-industrial. I have a low level of interest in political intrigue, and none in wizards, the fae, magic or dragons – although I am toying with using all of them in the next trilogy. I am interested in the extraordinary, and also in how landscapes affect characters and whole societies. In The Kira Chronicles, Kira is Tremen and grows up in the forest world of Allogrenia. Their bonding and burial practices are deeply impacted by living in the soft arboreal gloom. The Tremen are pacifists and protected by the vast forest, but when it is breached, they must fight or die. I’m interested in how they maintain their integrity and still survive. All my books, published, unpublished, or in process are essentially about reconciliation or redemption, and fantasy provides a really beautiful space to explore these ideas.
Fantasy allows me to play around with setting too. As an ex-geography teacher, I love landscape. I love knowing why rain falls and where, what will create waterfalls and caves, why some places are permanently clothed in mist. I also love these things for their own sakes, because they are pure and unspoiled.  In the angel world of Ezam, the forests have only one type of tree called glis. They are either silver or gold and their leaves are like tinfoil. When the breeze blows, they tinkle. It is so much fun to create such places.
I am quite envious of musicians and film makers. I think these two groups have media to work with more easily evokes emotions. Words are so slippery and unforgiving. They can be like wrestling the Balrog from Lord of the Rings.  Certain pieces of music will provide me with lots of dialogue, so I sometimes listen to music, then turn it off and write. I can’t write with music on, but it is great for evoking mood. As I mentioned, I have pictures pasted above my desk but I also have scrap books full of pictures clipped from newspapers and magazines. My characters don’t look like the pictures but they have the same emotional feel. For instance, I have a picture of an AFL footballer who looks exhausted. His whole demeanour is desolate and in stark contrast to the strength and youthful beauty of his body. That image gives me a sense of the vulnerability of one of my characters who is wild and out of control, but devoted to his only child – a little girl.

Who are your favourite authors?

I don’t have favourite authors as I can read one book by an author and it resonates deeply, and another will leave me cold. Tolkien and Mary Stewart (her Merlin series) opened my eyes to the potential of setting; Ursual Le Guin to the psychological possibilities of writing; Natalie Babbit (Tuck Everlasting) to the power of simplicity. Favourite books teach me about writing but also what it is to be human. I often dip into these books when I’m stuck or tired. After five minutes of reading, I can write again.
Writerly advice: be really clear that you are writing because you are passionately in love with the story you are telling. You will try to tell it superbly but you are only human and are still learning. Always strive to write better. The value of the story is this integrity that you bring to it. Do not judge your story by publisher or agent rejects; by sales or lack thereof; by critics or reviews. You know, in the kind and ruthless parts of your heart, when your writing rings true, and when you have fudged, skipped or avoided your truth. Be brave and resilient; delight in your writing journey, and see your story through to its end.   Enjoy.



The Cry of the Marwing – Published by Allen and Unwin, is her last published fiction title.
This is the final in the Kira Chronicles trilogy.
www. ksnikaki.com or through Goodreads.
‘With battles raging and Shargh warriors threatening the future of her homeland, gold-eyed Kira is forced to betray her every principle by requesting Tremen Protectors fight and kill to defend Allogrenia. During the sickening carnage that follows, Ashmiri treachery threatens to deliver the Shargh victory over the Tremen. Realising her love for Tierken is not enough to bridge the gulf between them and their respective peoples, Kira flees the Terak. During her desperate journey south, she is reunited with her first love, Caledon. Together they decide to journey back to Allogrenia, but disaster strikes when Caledon’s star vision fails him and they are confronted by the Shargh. With the prophecy drawing towards its chilling conclusion, Kira realises that victory over the Shargh may cost her everyone and everything she loves . . .’


Karen Simpson Nikakis was fortunate to grow up riding horses through some of Victoria’s most beautiful country. She trained as a teacher and has taught in schools, TAFEs, AMECs and Universities both in Australia and China. She holds an M.Ed (Hons) in the purpose of dragons in selected literature, and a Ph.D in Joseph Campbell’s monomyth as applied to a female hero. She presently heads NMIT’s Bachelor of Writing and Publishing. She is the author of The Kira Chronicles (Allen and Unwin) and Dragon Tales (Heidelberg Press) as well as of numerous research papers in the areas of myth and fantasy.

If you are a young adult author, publishing professional, book blogger or simply a book lover and would like to be interviewed for your own Feature Me Friday post, contact me at SarahBillingtonBooks AT Gmail DOT com!



Wednesday, March 21, 2012

Talking First Lines with Scarlett Archer

It's me again, my lovelies!


Today I have a special treat for you in the form of author Scarlett Archer, who has just released in paperback and ebook a non-fiction title that discusses and analyses the all-important first line of your book.
They're TOUGH, aren't they? That blank page. The blinking cursor. The pressure of summing up the tone of the WHOLE BOOK in that one line of text...

I will be talking first lines during The Kiss Off's blog tour between April 23 - May 15 but right now, let's talk first line hell with Scarlett Archer!
Do you consider the first line to be an important part of a story? If so, why?
I think it's one of the most vital parts of a book. When I pick up a book I want it to catch me. Given I'll wait a couple of paragraphs but I'm essentially looking to be seized by the opening line. It's like hearing someone for the first time, you immediately get the impression of what they're about from the way they talk, the way they say their words, the rhythm that they arrive, and how the words mingle in amongst one another. 
Do you find first lines easy to come up with, or challenging? Do you have a technique, or a ritual, that you go by to make it easy?
It's definitely one thing I love about writing. I know a lot of writers who hate starting a story but the first line is an inviting challenge. It's beginning the great meal I'm cooking up! I don't find them easy to come up with but I enjoy thinking about them. They don't frustrate me. As for a technique or ritual I give my intuition a lot of room to take charge. I don't force it but browse through inspiration and let things build. Normally something will eventually come along, even if I force myself to sit down and begin I've given it enough space to have something ready. 
What consequences, if any, do you think there are in having a badly written first line?
I put the book down. The end.

What's your favourite first line that you've ever read? And can you recall a worst?
"The man in black fled across the desert and the gunslinger followed." - The Gunslinger (Dark Tower Series), Stephen King. It was the moment when I realised the power of a first line because I picked the book up in the book store, read it, read no more but bought it straight away and went home and demolished the whole series.
What is one of your own best first lines?
"Aroset put a bullet into his head." Clean, immediate conflict, someone's gonna die.
We're all sharing here! What's one of your worst first lines?
"Oh my God, what the hell is Brett doing?" This beginning grates me to the core. All I hear is a whiny teenager, probably because that's exactly what I was at the time I wrote it!
Do you have any suggestions for other authors on how to write a great first line? Have you heard any great advice yourself?
I think one of the best things I learned in writing in general was to bring action in to the present. Make it punchy, and alarming. Don't be afraid to shock your reader! 
What are some things a first line *shouldn't* be? What are some things that you've read in first lines that really rubs you the wrong way?
Info dumping. No matter what the genre of the book- and it happens more often in things like fantasy and sci fi, which is probably why I don't read a lot of it- it shouldn't start with a hill and a half of information.


Scarlett Rugers (writing as Scarlett Archer) has just released a book 1001 First Lines which is now available at Amazon! You can purchase a paperback, .lit, .epub, .mobi and PDF versions here: http://www.1001firstlines.wordpress.com.
She has been writing for over fifteen years, completed over eleven novels, and her main drive is in speculative fiction or its contrasting opposite romantic comedic novels. She has a passion for studying the art of story telling and is a grand lover of movies. Her focus in work is book cover designs which enables her to put all her energy in to the area she loves most- literature. You can get in touch with her about getting a book cover designed for you at http://www.booksat.scarlettrugers.com

Monday, November 7, 2011

Welcome YA Contemporary author Danielle Weiler to the blog!

I am lucky to have a special guest with me today, and that is Danielle Weiler, author of the YA contemporary Friendship on Fire!


Let's talk to her, shall we?

Hi Danielle! When did you first realise you wanted to be a writer?

I've always written, in some way or another. Whether it was diary entries, poetry, emotive articles, immature stories attempted at 13 and discarded shortly after...
The inspiration and writing bug really hit me in 2009 while I was living in Melbourne. I woke up one cold Sunday morning with Daisy's story on my fingertips. She didn't stop hassling me until I started writing it down. And once I started, I quickly developed RSI in my wrists from the onslaught of information. But it was when I handed it to a year twelve girl and asked her to be brutal that I started to believe in myself. She read it in about two days and pestered me for the rest of the year to send it off to publishers. So I felt brave enough to give it to others after that.
      
 What made you decide you wanted to publish with Sid Harta?

They gave me really positive feedback and believed in my story. They are small and fast-growing and they have a variety of options available for writers. They gave me the leg up I needed.  
      
 How long does it take you to write a book?

The first draft of Friendship on Fire was 135,000 words. I could easily have written about it forever. I mean, it does cover the entire school year of year 12. That took me about 3 months and I was teaching full time. I polished it for a while but it still could be pared down a bit I suppose. My second ms took me about 4 weeks for a first draft. Still working full time. I added a heap to it then cut a heap out of it and polished it. It's nearly half the size of FoF. The third ms took me about 2-3 weeks for a first draft and after that I was too scared to touch it in case I'd over-write and have to cut a heap out of it. So I got Sarah to appraise it before adding in meaningful sections to give it more depth. If I'm forced to write I can do it but it might not be good. If I have the right encouragement and inspiration I can be pretty efficient with what I do. 
      
 What is your work schedule like when you're writing?

Well my teaching always comes first so that's my day job. I have been known to get up really early before work and write something that's bugging me, or write a few lines here or there in class. I took to taking a journal around with me so I could record ideas that flew my way. I'd then get home from school, park myself on the couch, and write until hubby got home from work. It's generally every night until I purge the story from my system. I don't let it get past midnight, though. I write silly things after midnight. 
      
 What would you say is your interesting writing quirk?

I don't know how different it would be from other writers. My husband says I talk about the characters as if I actually know them. I'm pretty protective of them. I read him random parts of the story and assume he knows what happens in between. I constantly talk about the plot until I nut it out, while he nods and smiles. Now you've got me wondering if I'm quirky at all. I'm naughty and write ahead, not chronologically, OK? That's all I can think of. 

 Where do you get your information or ideas for your books?

I've never researched for a book. I write contemp YA so I make it up from my history as a teenager or people I've come into contact with, or just from my brain. Something about researching seems clinical to me, but I found with my third ms in particular that I hadn't met anyone like the antagonist I created and I don't have a messed up head so I found it hard to convey those steps along the way. I think that's one way I need to grow. The ideas, however, just pop into my head. Generally the main character goes, 'Hello, I'm here. Tell my story.' (in a non-creepy way) and I groan and say, 'I'm busy. Must I? Really?' And it goes from there.

When did you write your first book and how old were you?

Does it count if I never finished it? When I was about 6+ I would constantly fold up coloured paper and staple it and make stupid little books for my parents to read. That was part of the teacher ‘calling’ too. I got to about 50 pages for the above-mentioned immature book at 13 years old and then the storyline got a bit creepy so I just stopped. That and my mum didn’t like the fact that the MC’s mum was a smoker. It just dampened my spirit. I’m sensitive like that.
      
What do you like to do when you're not writing?

Shopping. Going to the beach. I read when I get time but it’s an indulgence. At the moment hubby is trying to be my personal trainer (before summer, you know?). So it’s not that I actually like to do that stuff but I like hanging out with him. I also like my job, most days!
      
What do your family and friends think of your writing?

My Dad usually reads my first draft and tells me how amazing it is, unless it has really naughty characters in it. My Mum doesn’t like the bad language and raw scenes I put in my stories but she eventually loves the characters with all their flaws just like I tell her she will. I get my sisters-in-law who are my age to have a read too. Hubby is helpful but totally biased. My friends know nothing about the writing world so they are quite useless (sorry). It’s the students who prove most helpful. They tell me if the voice is authentic and they don’t hesitate to tell me if it’s crap.
      
What was one of the most surprising things you learned in creating your books?

That I could write about characters so unlike myself and so unlike how I would behave and talk and still love them as though they were friends of mine. That writing is addictive. That the yearning to be published never goes away. That it is a big responsibility to be in sole charge of something like a novel.
      
How many books have you written? Which is your favourite?

I’ve written 3 books in 3 years. If I don’t have inspiration, I don’t write in-between because it’d probably kill me to have a day job and be constantly writing. The last 2 are awaiting feedback from publishers. You can’t ask me which one is my favourite – it’s like choosing between children (not that I’d know). But they are all very different and I’ve developed my style across the 3 so I love them for who they were when I wrote them and how they helped me learn for the next one, if that makes any sense at all. Writing from a teenage male voice was very interesting and challenging, so I felt a real sense of accomplishment when I finished number 3.
      
 Do you have any suggestions to help budding authors write a good book? If so, what are they?

     Read, read, read. You don’t read because you want to copy, you read because it helps
 inspire you to write. It gives you hints as to how long a book is in that particular genre,
 what type of stories are getting published, what different authors’ voices sound like. Then
 try your hand at your own voice. I did it the opposite way in the beginning. I didn’t read
 anything or research any YA books before I wrote Friendship on Fire. I didn’t have any
 hang-ups or pressures. No one knew I was writing and it was blissful. It was only
 afterwards that I read and read and read and adjusted how I wrote the second two. It all
 depends on how much you’re willing to adjust and refine your craft.
      
Do you hear from your readers much? What kinds of things do they say?
   
  Yeah I do hear from them quite a bit and it helps sustain me. If I’ve had a bad day where I
feel like I’m a failure, I’ll get a little message saying, ‘Just finished reading _________ and
 wanted to let you know how much I loved it. It really spoke to me and I’ve given it to (insert
 name here) to read.’ Something like that. I love hearing what people thought about
 particular characters’ dynamics and how scenes shocked them etc. One girl emailed me
 and told me what she thought of the blurb for my second book that I was playing around
 with. She joined the two options I had there and it was really cool. Sometimes people who
 are unbiased can see a story differently to the writer. Feedback like that spurs me on and
 helps me believe that I can actually do it.
      
What do you think makes a good story?
     
Strong characters. Strong dialogue. The plot of course is integral but I love immersing
 myself in the characters and barely hanging on to find out what they’re going to do/say
 next. I’ve just read Froi of the Exiles by Melina Marchetta and I haven’t been able to enjoy
 anything since. If you haven’t read it, get it now and it’ll ruin you forever.
      
As a child, what did you want to do when you grew up?
     
A teacher. Always.
      
      
Tell me about your newest book.

See, that’s mean. How can I put it in a nutshell? I was playing around with blurbs while writing it and I did the boring ones and then I did this one just as a dare:
                
Your best friend has gone to Juvenile Detention,                 
Because of you.
Your other friends blame you.
You want a girl who’s not yours.
Your Mum’s pregnant to an abuser.
You’re in trouble at school again.
You have two strikes against you and you’re that close to  going to Juvi yourself.
Seventeen was never meant to be this hard.
 What would you do?

(Sarah's note: I've read this one, and it's good!)

Where can we find your books?

All good bookstores (the ones that are still left?) might have it or can at least order it in, or there’s Amazon of course. There are a few random online places that have it. Readings is a good one. Dennis Jones & Associates. Kobo Books. Planet Books. And lastly, I have a secret stash if anyone wants a special one from me.

Thanks so much for visiting Danielle! I have been lucky enough to read an early draft of her next one and I can tell you now it's going to do big things. Look out for it!

Friendship on Fire is available now.

Find Danielle here!